Showing posts with label canterbury tales. Show all posts
Showing posts with label canterbury tales. Show all posts

Sunday, October 12, 2014

TRANSMEDIA DRAFT OF CANTERBURY TALES

The Monk


Introduction Paragraph:
  • Theme and overall purpose of Canterbury Tales
  •  Quick background information 
  •  Thesis:
"Canterbury Tales by Geoffrey Chaucer evokes the idea that one's characteristics doesn't necessarily equate to reputation. Through the use of a satirical tone, Chaucer implies that society's expectations are barely met through quotas, or not at all. By usage of irony, frame, and characterization, the author conveys the concept of a 'two side to a coin' scenario where characteristics are far off from status."

First Paragraph:

  •  Reiterate the theme of Canterbury Tales
  • Give examples from all the tales 
  • Literary terms used: syntax, diction, tone etc. 
  • Mention the 5 different genres (religious, moral, romance, etc.) and where some of the tales lie within them 
 Second Paragraph:

  • Essentially go more in-depth with one of the tales (main character)
  • Describe physical/mental characteristics and how they're written (indirect/direct)
  • Write how it connects to the overarching theme (character versus reputation) 
Third Paragraph

Breakfast Club
  • Allude to a modern example of the story (Breakfast Club)
  • A group of random students meet up for detention and realize that their reputations don't equal their characters (tie it in with the tales) 
  • Changes that would occur if gender/tales/setting differed  
Conclusion:

  • Rewrite thesis statement; mention the overarching theme of Canterbury Tales 
  •   Moral of the story 




CANTERBURY OUTLINE

Guiding Questions:


1. What Tale did you choose?  Why?  What appealed to you?


I chose the monk because he lived his own life and still believed in his faith. He kept a piece of him that isn’t really something a typical monk would be praised for which is something that truly appealed to me.  


2. Describe the main character.


The monk is described as being well-off, someone who lived too “lavishly” even though his job description means living in poverty (he has a freaking HORSE). Physically, he is a heavy set man, who is bald; he dressed well-off with his “wrought-gold” pin and “fine gray fur.” He also likes to hunt thus likes to carry around a sword.      


3. How do Chaucer's choices in diction and syntax create the tone of this Tale?


Chaucer’s diction conveys that of appreciation for the monk. Unlike the others he criticized for being unlike their reputations, Chaucer uses satire to essentially tell his readers that although the monk has done something different from what he’s told to do, he has done no wrong.


“He let go by the things of yesterday
And took the modern world’s more spacious way...”
“....And I agreed and said his views were sound;”


4. How does Chaucer characterize the protagonist (both in content and technique)?


Monk → satire/irony and imagery → he believes in his faith but still follows the life he has led his life by; “he was a fat and personable priest,” “he did not rate that text at a plucked men // which says that hunters are not holy men”


5. What storytelling genre does this Tale represent?  Why?


His tale represents that of a religious/spiritual story; he is a monk that lives separate lives from other monks even though he believes in the same faith.  


6. How do the characterizations and events in this Tale represent the larger theme/s &/or purpose/s of Canterbury Tales?


Chaucer’s Canterbury Tales evokes the idea that one's characteristics doesn't necessarily equate to reputation. Through the use of a satirical tone, Chaucer implies that society's expectations are barely met through quotas, or not at all. This is clearly seen in the Monk’s tale. His reputation requires him to live in poverty, but he has lived the exact opposite of that.   


7. How would you change/improve the Tale if you could?


No improvements.


8. How would the Tale be different if the career, or SES, or gender of the title character were different?


The meaning behind the tale would stay the same even if the content changed to something completely different. The purpose of the tales are to essentially induce the idea that character doesn’t reputation. Changing the actual tale might result in a different character with a different reputation, but the whole idea would remain the same because it’s concrete. For example, changing the Monk into a female version would change the plot, but the meaning doesn’t change.  


9. As you analyze the Tale, what ideas or writing techniques make it especially effective in conveying its message?


Satire/Irony → monks living in poverty; the Monk in the story lived lavishly
Imagery → “His head was bald and shined like looking-glass”
Tone → appreciative; his story was unlike many of the tales because it is one that Chaucer doesn’t criticize, but more so something he appreciated because the Monk did nothing wrong    


10. How can you use any of the techniques you read to improve your own writing?


Learning how to write in frame would be something I believe would make my writing stronger (creative writing). Understanding the usage of indirect/direct characterization would help me write and analyze documents better.

Collaboration with: Marcel Dube, Jayce Alegre, Danielle Cadenas, Bailey Reasner

Tuesday, October 7, 2014

THE POINT OF CANTERBURY TALES IS

Canterbury Tales by Geoffrey Chaucer evokes the idea that one's characteristics doesn't necessarily equate to reputation. Through the use of a satirical tone, Chaucer implies that society's expectations are barely met through quotas, or not at all. By usage of irony, frame, and characterization, the author conveys the concept of a "two side to a coin" scenario where characteristics are far off from status.

Wednesday, September 24, 2014

Canterbury Tales (II): WHAT A CHARACTER

Character: A Knight

Approach to Characterization (In/direct, when, why):

Indirect and direct characterization are used in multiple instances.
Direct: used to describe his personality (“truth, honor, generousness, and courtesy”); Chaucer also directly states his will to fight, “riding into battle”;   
Indirect: it is used with his actions → “in Granada, Algeciras sank//Under assault, he had been there” → indirectly stating of his noble character; his grand clothing also characterizes him as an aristocrat, born in power

Direct
"To ride abroad had followed chivalry,
Truth, honor, generousness and courtesy.
He had done nobly in his sovereign’s war"

"And though so much distinguished, he was wise
And in his bearing modest as a maid.
He never yet a boorish thing had said"

Indirect
"In Lithuania he had ridden, and in Russia,
No Christian man so often, of his rank.
When, in Granada, Algeciras sank
Under assault he had been there"

Tone(in regard to characters):
Chaucer uses an appreciative, admiring tone when he talked of the Knight. He is respectful of the knight’s actions, using dictions like “wise,” “modest,” and “honorable.” He describes the Knight in the ideal way a “knight” is believed to have acted, to the point of calling him a “perfect gentle-knight.”

Humor:
Humor is used throughout the whole story. Chaucer uses it to heighten his usage of satire. The irony, juxtaposition, is added to create a more humorous environment. This allows a serious topic about society to be easily broken-up, making the readers think.  

Monday, September 22, 2014

CANTERBURY TALES (I)

Prologue to Canterbury Tales (pages 90-115)

  • Biography
    • Geoffrey Chaucer (1343? - 1400) → varied experiences as a page, son of a merchant, soldier, diplomat, and royal clerk prepared him to write The Canterbury Tales
    • Early poems based on works of European poets followed by translations of French poetry
    • No one knows the reason behind Canterbury Tales → his experience during a participation in a pilgrimage to Canterbury might’ve inspired him to write
  • A Closer Look: Chaucer’s Guided Tour of Medieval Life and Literature
    • The Canterbury Tales begins with a prologue → Narrator, presumably Chaucer, meets 29 other pilgrims at Tabard Inn  where they are preparing for the pilgrimage
    • Harry Bailey, host of the Inn, sets out a challenge: each pilgrim tell two stories en route to Canterbury and two other stories on their way back
    • Prologue → Chaucer uses vivid imagery to capture each pilgrim
    • Chaucer’s day = no science fiction stories or murder mysteries → popular genres  were romance (chivalry), fabliaux (short, bawdy, humorous stories), allegories and church-based

  • from The Canterbury Tales: The Prologue
    • Knight → distinguished man who followed the road to chivalry
      • Wise, modest as a maid, never bore about his life, gentle knight
      • He told stories about his heroic battles
      • Possessions: horses; he wore fustian tunic stained and dark along with his armor
      • He brought his son along → a squire with curly locks ( around 20 years old), and moderate stature; he is described as being young, fresh in personality and physique, but experienced in service with the cavalry
    • Yeoman (attendant) → alongside the Knight and his son
      • wore a coat and a green hood, peacock-feathered arrows, bright and keen
      • had a mighty bow in his hand, face is described like a nut (brown face) → great in woodcraft; he also had a shield and a sword hung at his side
    • Nun (a Prioress) → smiled a very coy and simple smile
      • known as Madam Eglantyne
      • would sing a service, and speak in French
      • courtliness and manners → she was entertaining, friendly and pleasant
      • she was sensitive, showed her concern
    • Monk → one of the finest of sorts; rode the country
      • liked to hunt, a manly man that owned a horse
      • sleeves were decorated at the hand with fine fur, and his hood had a wrought-gold fashioned pin; bald in the head → fat priest
    • Friar → a wanton and merry one; festive fellow
      • he fixed many marriages, noble pillar to his Order
      • highly beloved and intimate
      • finest beggar of his batch
    • Merchant → had a forking beard and motley dress
      • his head had a Flemish beaver hat and his feet were buckled boots
      • told of his opinions and pursuits
      • expert at currency exchange, no one knew of his debt
    • Oxford Cleric → still a student
      • horse was thinner than a rake
      • he was not fat → had a hollow look and sober stare
      • he prefered books over fine clothing, fiddle, or psaltery
      • never spoke a word that wasn’t needed → extremely formal, short and to the point
    • Sergeant at the Law → wary and wise
      • he was discreet → a man to reverence
      • a busy man, but less busy than he seemed
      • knew every judgement, case, and crime
    • Franklin (alongside the Sergeant at the Law) → his beard was white as snow
      • a confident man, high-colored and benign
      • his motto was essentially “live a happy life”
      • he lived for pleasure and his opinion was sensual delight
    • A Haberdasher, a Dyer, a Carpenter, a Weaver, and a Carpet-maker → among the ranks, all in livery
      • were trim and fresh → gear could pass as something new
      • knives wrought with purest silver
      • each seemed worthy burgess
    • Skipper → hailing far west
      • came from Dartmouth → rode a farmer’s horse
      • wore a woolen gown that reached his knee
      • he had a dagger on a lanyard
      • an excellent fellow
    • Doctor → he talked of medicine and surgery, of astronomy and charms
      • a perfect practicing physician
      • he had a special love of gold
    • worthy Woman → somewhat deaf
      • her herchiefs were of finely woven ground
      • shoes were soft and new
      • she’d have five husbands → all at church door
    • Parson → rich in holy thought and work
      • a learned man, a clerk
      • knew Christ’s gospel and would preach it
      • benign and diligent
      • disliked extorting income or fee
    • Plowman (Parson’s brother) → an honest worker, good and true
      • lived in peace and perfect charity
      • loved God with all his heart and mind
    • a Reeve, a Miller, a College Manciple, a Pardoner, a Church-Court Summoner, and the narrator
    • Miller → chap of sixteen stone
      • stout fellow, brawn and bone
      • broad, knotty, and short-shouldered
      • mighty mouth was like a furnace door
    • Manciple → came from the Inner Temple
      • never rash, whether buying credit or cash
      • used to watch the market with precise
    • Reeve → old and choleric, and thin
      • beard shaven closely to the skin
      • short hair stopped above his ears
      • kept his bins and garners very trim
    • Summoner → had a fire-red cherubinnish face
      • had carbuncles → eyes narrow, hot and lecherous as a sparrow
      • he spoke only in Latin
      • a gentle and kind varlet