Monday, April 20, 2015

Macbeth - ACT II

ACT II Study Questions
Collaboration
First come first serve - pick 2 each
Erica - 2.1 (#1, #2) ; Hikaru - 2.2 (#1, #2) ; Danielle - 2.4 (#1, #2)
  
Erica - 2.1

  1. Scene II, Act I contains dialogues between Banquo and Fleance, walking at night with the torches casting shadows. Banquo states that he “would not sleep” as a result of a dream he has about the witches (stated in the earlier scene). He is in turmoil, wrought over by the fact that even in his dreams do the witches follow. Shakespeare refers to time, once again, this occasion to set the tone. It is mentioned that the time is past midnight, with nothing but the torches to keep light. There is a stillness in the air, tension that coils within Banquo (multiplied due to his haunted dreams) that the audience specifically catch when Banquo almost uses his sword on Macbeth. The flow of time is continuous, but the foreshadow of the death of a king, and the crowning of a wrongful successor, disrupts the flow of time. Time, is therefore, continuously referred to, during the play, with moments of disruption.
  2. Macbeth, feeling self-reproach and ultimately gripped with guilt for his planned actions, hallucinates about a dagger. He thinks he sees a dagger “faced towards his hands,” but quickly realizes that it is “a false creation.” Lost in his mind, Macbeth speaks as if he is in a trance, talking about blood and daggers. He is eventually brought back to reality by the ringing of the bell.

Hikaru - 2.2

  1. Lady Macbeth is seemingly confident with the plan, but has traces of doubt. She prepared the dagger and assumed that Macbeth is killing the king. Lady Macbeth could not kill Duncan because his sleeping figure reminded Lady Macbeth of her father.
  2. Macbeth has actually killed Duncan. He worries about the blood on his hands and starts to feel guilty. Lady Macbeth responds in a negative tone, again. In line 46, Macbeth left the dagger in the room, which he wasn’t supposed to. Lady Macbeth goes instead to get it.

Sunday, April 19, 2015

Music Sunday #1

"Take Me To Church"



Macbeth Act I - Study Questions

Act I Study Questions Collaboration
FIrst come first serve - choose 2 questions each
Collaboration: Jayce, Jared, Hikaru, Marcel,  Danielle, Erica

Jayce - My first picks are the first two study questions 1.1-1.2.
1.1
  The effect of the witches at the beginning of the play gives off a gloomy, dark, wicked aura. Nothing beats a supernatural setting based on evil remarks and foreshadowing from the witches, yet they detest their true objective in meeting someone of value. From further reading of the play, the witches are going to meet Macbeth and Banquo when the air is unclear to see, just like fog.
1.2.
  The “bloody sergeant” comes to meet the king and his attendants to describe the fierceness of Macbeth and the experiences he’s had with him on the battlefield. Macdonwald was a rebel fighting the king’s army and mercilessly slain many men. The one to kill him was Macbeth and so chopped his head and stuck it to a pike. This did not drop the moral of the enemy soldiers, so the king of Scotland regrouped with new troops and retaliated with another assault. None of the rebels faltered after such display of intimidation
Danielle- my picks are 1.3 #1, 2
1.3
In lines 1-27, the witches are talking about sinking the ship of Macbeth. The effect the witches create is one of disgust to hear them talking about sinking a ship as if it were a game. These specifics foreshadow that Macbeth will arrive by the sinking of his ship. The witches are here to create the plot while the other characters are merely dancers. Line 9 is talking about sailing in a typical sieve sailing to sink the ship. The witches prepare for Macbeth by literally casting a spell. Giving thee a wind means to help you out. But this spell could be seen as basically winding up the plot so that Macbeth will play the part the witches want him to.
 Macbeth’s first line reminds me of the witches line fair is foul and foul is fair. Those that we see as evil see us as evil. The witches look really ugly and look almost demonic. They portray the typical image of a witch. The witches tell Macbeth that he will be king of Cawdor as well as Glamis. He becomes captivated in the witches visions of him as king. We know this because that’s how Banquo describes him as being. Banquo asks the witches to tell him what they see in his future and they tell him that he will be greater than Macbeth though he is lesser and he will be happier though not so happy. We know that Macbeth will kill the king and rise to his throne that way.

Jared Dube- My first picks are the 2 questions of 1.4.
1.4
Cawdor died honorably after confessing and repenting his own crimes. The basically replies that Cawdor was a chivalrous man who had completely trusted.
The king greets Banquo and Macbeth with guilt that he can never truly repay them for their heroic deeds. The king then announces that he is going to make his eldest son, Malcolm the heir to the throne. Duncan then declares that he intends to dine at Macbeth’s castle. Macbeth states he is happy for the new heir but then realizes that Malcolm is just another obstacle getting in his way of becoming king. 
Hikaru - my first two picks are 1.5 #4, 1.6
1.5
Lady Macbeth’s name is Gruoch, modeled after the name Gruoch ingen Boite.

1.6
Macbeth is not ready to kill the king. He expresses his doubts and troubles of killing Duncan. In lines 1-12, Macbeth is worried that the same assassination will happen to him once he replaces the current king. Just as he is eyeing the king’s throne, other people will also want it if Macbeth is to spill Duncan’s blood. Macbeth’s violates the code of friendship with Duncan. He is his “kinsmen and his subject” so he has some sympathy towards him. His “vaulting ambition” is his motivation.
Marcel-  #1 and #2 for 1.7
1.7
     1.   Macbeth has everything set up to murder Duncan from the offer to come and stay at his abode to the poison to place in his cup. How ever he’s worried about what will become of him after doing so and if he actually should go through with it. As a host you're not suppose to kill your guest rather do everything in your power to make them comfortable. Macbeth’s ambition outweighs the sorrow of killing duncan and this is all the motivation he needs.
     2. Lady Macbeth complains for knowledge of the desolation of duncan after dinner. Macbeth tells Lady Macbeth about how he doesn't want to go through with this heinous act any longer and she responds with calling him a coward in riveted language. Lady Macbeths sticks to her taunts and ambitious pulls to make him go through with it while Macbeth stand by what's morally right but in the end Lady Macbeth dominates this scene over her husband.

Erica - 1.2 (#2) ; 1.3 (#3) 

1.2  (#2)

Ross and Angus mention that the Norwegian lord “surveying vantage,” and ensuring new supplies, began a new assault. They specifically mention that the thane of Cawdor is the traitor, and shall be stripped of his title (given to Macbeth) and killed in accordance to his betrayal.

Monday, April 13, 2015

Meet Macbeth

Macbeth is indirectly characterized by Sergeant in Act I Scene II. He parallels the "common war hero" seen in most literature works. Macbeth is characterized as "brave," which he accordingly deserves. Macbeth, unlike others, has (consciousness) self-reflection. The witches contribute marginally to the audience, foreshadowing clear in the text. They tell Macbeth about the trouble that Lady Macbeth will cause, warning him about her ambition and lack of self-reflection. They also allude to Lady Macbeth's shaming of his masculinity and her easy manipulation of his emotions. Unlike having scenes play out alongside the characters, Shakespeare uses the witches as "godlike figures" (yes, dichotomy is hard on that one). He gives the witches the power of seers, gives them the strength to act as puppeteers (all-knowing).  

MY MACBETH RESOURCES

Text Resources: 

Visual Representations:

(Infographics)
Foul Facts and Fair Trade
Anatomy of a Scene

(Videos) 







Sunday, April 12, 2015

The Everyday Blogs

There are blogs that I continuously find myself hovering over at a constant rate. These blogs have appealed to me in some way or form. Some of them for their "ahead-of-time-before-it's-due" posts (that never fail to save me) to blogs that are a little bit more personalized. Other times, I find myself unconsciously clicking a blog because, for lack of a better term, their pretty, aesthetically pleasing. So here they are, the long awaited "everyday" blogs



  • Lupita Pliego - Her blog is the blog I continuously check at a day to day basis. It's aesthetically pleasing enough, is easy to read, and utilizes tabs so that visitors are easily able to configure what they want to find. She's also the one that gets assignments done (like a month a head). Whenever I think I'm missing an assignment, I go over to her blog and see if I am missing some things. Not only that, but it's personalized enough that I see slivers of Lupe in her blog. The colors, the quotes, and heck, the "book tree" screams Lupita Pliego, book-lover extraordinaire. 
  • Jayce Alegre - The funny thing is a majority of Jayce's posts aren't AP Literature related. His posts, although not assignment based, are distinctive and honest, their new and exciting. Looking through my feed tend to get boring really quickly because of the same 'ol boring "let's get this done quickly, sometimes sloppy, assignment post," but Jayce tends to stray away from that. 
  • Henry Freeborn - Similar to Jayce, his writing strays away from the typical assignment based post. The difference between the two is the style of writing. I particularly enjoy reading Henry's writing because of the gritty style. He writes with the full bluntness of a guy that doesn't give any cr*p about what people think of it. His writing is hauntingly beautiful, and once again, very gritty. He takes stances on otherwise politically gripping topics, be it national or local, with elaborate ease. 
  • Yesenia Beas - Her words flow out with the fluidity of water. Well, her whole writing can be described like water (when she decides to post). She can easily manipulate her words to a whim. She is able to write about something she does not care for with the utmost passion. Her words can be as turbulent as a current ridden river or as calm as a lake.  

Dulce Et Decorum Est - Poem Essay

Prompt #2: Read the following poem carefully. Then, in a well-organized essay, analyze how the speaker uses the varied imagery of the poem to reveal his attitude towards the nature of war.

 “Dulce Et Decorum Est”

It is easy to mistake Wilfred Owen’s Dulce Et Decorum Est as a pro bono, pro-war work of literature. A simple glimpse at the title of the poem, a deceitful latin phrase that literally means “sweat and right,” might imply that the author was giving a message for war. Upon further investigation, the reader might realise the dichotomy between the title and the meaning of the work. Wilfred Owen’s Dulce Et Decorum Est tells of the hauntingly realistic story of war. Owen is insistent for society to reevaluate its stance on war believing war shouldn’t be romanticised, because war is grit, it is sunken eyes and hunched backs, dirt and blood not the “roses and hearts” that young men and women believe it to be.

The tone of the poem is somber and realistic, it grips the reader’s attention by vividly describing the reality of war. Owen mentioned soldiers as “old beggars under sacks” to ratify the fatigue and dwindling morale that often takes a hold of soldiers. The poem further exemplifies Owen’s claim as the work openly talks about the grotesque deaths soldiers might encounter. There isn’t anything romantic about dying for a country, nothing honourable. The death of a soldier isn’t slowed down with dramatic, classical music beating in the background, it’s dirty and grotesque. Death in the middle of the field is “guttering, choking, drowning,” it is utterly painful and ugly. The work belittles the way war is often time interpreted as something sort-of romantic. It’s similar to how living in a small town gets over romanticized. People don’t see that living in a small town isn’t as romantic as it seems with its lack of diversity and lack of acceptance. War isn’t romantic, it’s not “sweet” and “right,” it’s blood and gore and death. It is taking hold of young men and women to use as triggers, using people to do the dirty work so that they’ll be the one’s that dirty their hands. Soldiers are sheeps waiting for the slaughterhouse, “trudging” on, all the “limping on, blood-shod.” The fatigue etched deep within them, the horrors of bloodshed and the dwindling light of a candle, soldiers, lied to, turn their backs on their innocence.  

War is like “gas! gas!” It poisons children to believe it as right, in exchange for “desperate glory.” Owen continues to reiterate the “old Lie; Dulce et Decorum est Pro patria mori (it is sweet and right to die for your country).” Potential death does not equal glory, nor does being plagued by the trauma brought by war. Owen’s own experiences with war extends the haunting reality of death, “of vile, incurable sores on innocent tongues.” 

Friday, April 10, 2015

Poem and Prompt Choice(s)

"Dulce Et Decorum Est"
Wilfred Owen

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots 
Of tired, outstripped Five-Nines that dropped behind.
Gas! Gas! Quick, boys! – An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling,
And flound'ring like a man in fire or lime. . .
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud 
Of vile, incurable sores on innocent tongues,
My friend, you would not tell with such high zest 
To children ardent for some desperate glory,
The old Lie; Dulce et Decorum est
Pro patria mori.

Prompt #1: 
Read the following poem carefully. Then write an essay in which you discuss how such elements as language, imagery, structure, and point of view convey meaning in the poem. 

Prompt #2:
Read the following poem carefully. Then, in a well-organized essay, analyze how the speaker uses the varied imagery of the poem to reveal his attitude toward the nature of war.

Prompt #3:
In a brief essay, identify at least two of the implications implicit in the society reflected in the poem. Support your statements by specific references to the poem.

Battle of the Blogs: Bracket Voting

Battle of the Blogs has finally started. The competition is intense, competitors ready. Bring your "A" game on!

POST IS UP

Voting is on SPHINX blog (left sidebar)   

Sunday, April 5, 2015

Masterpiece Spring Break Progression



Inspiration has struck Danielle and I right on the noggin' (stint no more). The newly revised masterpiece stemmed off of a Facebook conversation we had earlier today. Danielle half-joking, half-serious asked me if we "can do a stem calendar where women are 'hot' because of their confidence, not because they're creating some sick fantasy for every male consumer." That single message led to talks about photo shoots being integrated wholly into our project.

The photo shoot would have several parts included:


  • women confidently doing their job (whether it be field work, STEM field, activism, or being a stay-at-home); this will include both the young and the old, the young being dreamers and the old that continuously live through them   
  • but it wouldn't just be women, it'll have men doing what they love, "unconventional" hobby, career, or interest that might go against societal perception of masculinity
  • the photographs will have a series that includes people holding up notes on "why we need equality" and "why we need diversity" and "why we need inclusion"  

Friday, April 3, 2015

Spring Break #1


The struggle begins. Second day of spring break was spent fixing the router (to fix faulty connection). Frustration. Lots and lots of frustration.

There was also a network connection error that I kept getting from Google Chrome. It kept showing up even when (WiFi) connection was strong. SO, as frustrated as I was, I just decided on temporarily moving to Firefox as it seems to work perfectly fine. I said "temporarily" because I would like to get acquainted with the browser (as I haven't been using it for a while now) to see if it fits with my needs.  
On the other hand, the day was spent well. I also managed to semi-successfully clean my dungeon (room).